Some crazy stuff has been happening,
I couldn't resist this quote. That's me right now.
Here's the trouble I created: I knew while I was writing my book that I was forging forward with only quick dips into researched facts. Writing it felt like my pen was a battering ram. So I was scared to relax the drive of getting the story on the page by looking up too much stuff. Now I'm thick in the muck of digging to find answers to research questions I pulled out of the first draft once the story was finished.
It's not the most fun I've ever had.
For example, by trying to get unknown Vincent van Gogh's art noticed, my protagonist Johanna runs up against the Official Art Establishment. First up, she's a woman who has no business in the business of art dealing. Secondly, she's in Paris, the glittering 19th-century center of all-things-art, so that Parisian authority figures have a heightened self-righteous huffiness about what "true" art is, and a self-proclaimed haughty duty to keep Art's sanctity from being tainted by new artists.
Imagine their disdain of Jo.
Like bestowing a Good Housekeeping stamp-of-approval, one way Authorities kept artists in line was to control entry into the Paris Salon art exhibition, a major biennial event giving artists exposure to patrons and reviews in the local press. Critical for artists trying to make a living.
So, I've written how Jo runs up against all that.
Except that my book opens in 1891. And in my research I found out the last Paris Salon was in the fall of 1890!
See what I mean?! And I have no one to blame but me.
This is what revision is for, I guess. Because, of course, all those bureaucratic, protect-my-turf characters are still roaming the streets of Paris. It's not as though suspending the Salon got rid of them. I just need to rejigger some of Jo's opposition. The core of the ages-old conflict is still there: The old way versus the new way.
When she leans into the new way, other avenues and solutions reveal themselves. Which, interestingly, crazily, is what's happened with this research.
The "old way" has me hunched in front of the computer screen. When I met with a local research librarian a few months ago, she turned me on to HathiTrust digital library and Google Books and an archive site for newspapers. I've been doggedly searching for answers to my spreadsheet of questions, trying not to go down too many rabbit holes, getting a little bleary-eyed, when a couple of cool things happened: Two people showed up.
Sara - an art history professor who has a deep specialty of the artists and period of my book. I'd been unsuccessfully contacting local universities to find an art-history graduate student to help me when through a friend-of-a-friend I was able to track down Sara. We met a week ago; she is thrilled to help me!
Kathy - a friend in my neighborhood who pulled me aside at a happy hour to say, hey, she enjoys fact-finding, and can she help? Yay!
After such a long solo journey writing the book it's a nice little nudge to know there's collaboration in my future.
The universe works that way sometimes, doesn't it? As the old saying goes, just as one door closes -- keep a look out -- another is opening. And when that solution involves another person, well, the potential for fun exponentially explodes.
Have you ever had an experience when the right person showed up in your life at just the right time? Tell me about it.
I'm grateful they do.
How I'm Writing the Book
Did a "Jumpstart Your Art" Workshop: I got the chance to conduct a workshop on how to get started with pursuing art at my former employer. Eighteen brave souls -- people daring to take the first step of leaning into their artistic curiosity-- came together. Using lessons learned from the last 17 months in writing my book, we charged through tactics and ideas and how to overcome the worst critic -- ourselves -- as an hour flew by. Yay, to these folks for exploring next steps for their art!
Books on Strong Women by Female Authors: Author Marie Benedict has been churning out novels based on real people. Her latest is The Only Woman in the Room, a behind-the-movie-star story of Hedy Lamarr. This absorbing novel centers on the complex life of Austrian-born Hedy Keisler – wife of a high-level Nazi sympathizer, anxious Jewish daughter, Hollywood superstar, scientific inventor. Benedict captures a voice for Lamarr that’s distinct, desperate, intelligent. Told against the backdrop of WWII’s mounting tension, the book shows Lamarr caught between Hollywood’s indifferent glamour and her nagging need to take action. Her scientific mind saw the opportunity to solve a persistent problem with torpedoes. She did it, only to face frustrating opposition. Benedict captures the frustration Lamarr felt of her keen mind being trapped behind her beautiful face.
Husband and I are on a quick Washington DC getaway when you read this. On the agenda: Checking out the new International Spy Museum, seeing if we can get a same-day pass to the Smithsonian's National Museum of African-American History and saying hello to the Van Gogh's in the National Gallery of Art. Plus, for me, just spending time with my best friend away from laundry and errands and, oh yeah, book research.
Back to Teddy Roosevelt and his thoughts on moving forward from mistakes:
I dare you!